In Charles Dickens’ near-perfect novella A Christmas Carol, the iconic miser Ebenezer Scrooge endures a painful series of journeys to the past, present, and future to discover the depths of his selfishness and to redeem his crooked heart. Among his famous visits to Mr. Fezziwig’s party, the Cratchit house, and his own grave, one scene in particular is quite moving. As the Ghost of Christmas Past reveals to Scrooge a number of scenes of his boyhood and younger years, a vision of his potential, yet ultimately unrealized marriage to Belle appears, causing Scrooge to beg the Ghost to “show [him] no more!” In this episode, Belle pleads with the younger Scrooge to remember his former love and affection toward her, feelings which had grown cold over time as his piles of gold rose ever higher:
“It matters little,” she said softly. “To you, very little. Another idol has displaced me; and if it can cheer and comfort you in time to come, as I would have tried to do, I have no just cause to grieve.”
“What Idol has displaced you!” he rejoined.
“A golden one.”
For Scrooge, his obsession with his “master-passion, Gain” through the pursuit of money clouds out the real warmth of a woman who loved him dearly.
Similarly, in George Eliot’s 1861 novel Silas Marner, we see another instance where money-chasing leads to destruction. Upon his exile from Lantern Yard following false charges of theft, the weaver Marner winds up a stranger in Raveloe where he stays alone in his cottage on the fringes of town and hoards his income beneath his floorboards. Like Scrooge, Marner’s soul becomes intimately connected with his wealth as he sits alone at his table in the company of gold coins:
“The light of his faith quite put out, and his affections made desolate, he had clung with all the force of his nature to his work and his money; and like all objects to which a man devotes himself, they had fashioned him into correspondence with themselves. […] His gold, as he hung over it and saw it grow, gathered his power of loving together into a hard isolation like its own.”
For both Scrooge and Marner, their stacks of gold became surrogates for the people they once loved, standing in for fiancees (Belle and Sarah, respectively) they lost long ago. Their love of money, an all-consuming obsession, serves as a coping mechanism for fear, loneliness, and, most of all, purposelessness. Wishing to discover a sense of significance and identity, they resort to chasing money in hopes to find security, control, and assurance that they will never be hurt again. As Jim Carrey famously quipped at the Golden Globe awards, they were on a “terrible search” for joy and satisfaction.
Yet, money-chasing can never provide genuine rest. The quota mentality remains a stubborn factor: How much money must one have to be happy? When will enough be enough?
While the first half of Paul’s statement to Timothy that “the love of money is the root of all evil”is more famous, it is the last half of the verse that is most striking. See the full verse:
“For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.” (KJV, emphasis added)
Paul notes that money-chasing is not only a poisonous root to further evils but also an invitation for many sorrows to pierce the heart. In other words, the pursuit of money for its own sake is a confident step directly into enemy fire, an intentional upward look at a shower of arrows, barechested and shieldless. The love of money is lethal, a greed and discontentment that festers and rots until the heart is brought to ruin. It drives people away from any sort of need for faith or trust, tempting them to see their own wealth as a mighty fortress. Ironically, our currency is right: In God we certainly trust. I just wonder if that god is the piece of paper we’re holding.
So our only hope is to release our clinched fists and let our dollars go because palms that are freed from the grip of gold are free to be given grace.
William Blake (1757-1827) was a world-class poet and artist in England whose deceptively simple verses, though they did not resonate loudly in his own time, have served in recent years as shining examples of Romantic poetry in Britain during the time of the French Revolution right across the channel. Two particular publications of his, Songs of Innocence (1789) and Songs of Experience (1794), represent what he termed the “contrary states of the human soul”, that is, the divide between the light and the dark that permeates each human heart. Blake was fascinated with the transition from innocence to experience, that elusive process of shedding childhood and donning adulthood, of seeing the sunlight of day set into the mystery of night.
The day was cold, dark, and rainy, one of those days that all you want to do is snuggle up with the ones whom your heart adores, build a crackling fire, and press your lips to a hot mug with even hotter joe inside. See, it all seems so perfect, so picturesque, a moment with good friends, good family, beautiful places, and the best memories. You see it on social media all the time, and you desire nothing more than to experience the abundance that you see in others’ lives. All of this is perfect, but then you come to see you are alone. You are not sitting in the Colorado Mountains. You are not gathered around a warm, crackling fire. You do not have friends over, and your family seems more disconnected than ever. No, none of these things are happening. You just sit quietly alone, slowly and mindlessly scrolling through your phone, looking at everyone else’s “perfect” little lives. It hurts. You feel as though your life will never measure up to the standard of the latest Instagram celebrity. You will never go on an adventure quite like theirs. You will never be able to do yoga quite like that girl we all seem to know. And you certainly will never be as beautiful or handsome as that girl or boy who just received 100,000 likes on their latest post. What happens next? You look at yourself in the mirror and tell yourself a lie. “I will never be any of these things; therefore, I will never be good.”
In Ephesians 5:1, Paul instructs his fellow believers to “be imitators of God as dearly loved children.” Therefore, as followers of Christ and His Word, our first duty in following this command must be to determine, “Well, what is God like?” In opening the Bible, then, to discover the character of God through His revelation in Scripture, we should note the first description we stumble upon: “In the beginning, God created…”
As an English teacher, I often instruct my students to discuss the characters and actions in whatever work we are studying by using the present tense. For instance, Hamlet contemplates death as he faces Yorick’s empty skull, Beowulf aspires toward a sense of eternal glory as he wrenches Grendel’s arm off, and Gatsby stretches ever farther for that ephemeral green light on Daisy’s dock. I remind them that the literary present tense preserves the immediacy and continuous action of the narrative upon each individual reading; these characters, in a sense, are always contemplating, aspiring, stretching every time we open the book.
Over the past few days, I have been steadily considering two separate trains of thought that recently have converged into a single desire. Let me explain.
I was raised in a Christian home. I went to a Christian school from the ages of five to eighteen. Church on Sundays was very familiar to me and was never something to be missed. I am so blessed to have been raised in such a loving, Christ-centered family.

