From Kansas to Oz: The Poetic Excursions of Billy Collins

CollinsYes, you must forgive me for making another plug for the poetry of Billy Collins. But seeing as today marks the one-year anniversary of launching Eden.Babel, I find myself musing, like Bilbo Baggins, on the nature of the journeys we take, a reflection Collins often considers in his work.

For me, Collins’ is the one poetic voice that has resonated most beautifully concerning the process of sojourning; in the pithy breath of a lyrical phrase, he captures the massive undertakings we begin in the simple acts of ordinary mornings: the epic quest of frying an egg, the poetic brilliance of cleaning a windshield. As I mentioned in a previous post on Collins, someone once gorgeously quipped that his poetry “begins in Kansas and ends in Oz.” This is the majesty of Collins’ work, that the reader can begin the poem introduced to the most mundane of settings, yet find himself struck by the lightning of a startling stanza within seconds. For example, I recently purchased his collection Horoscopes for the Dead, flipped to the first poem, and read these lines:

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Only Collins can produce this effect. The speaker begins with an utterly casual and unceremonious question (“What do you think of my new glasses?”), moves to an equally casual setting (“I asked as I stood under a shade tree”), then smoothly slides back the curtain to reveal the quiet distress of the grief the speaker bears (“before the joined grave of my parents”). This is the signature movement of Collins, to show his speaker caught between the subtle, almost childlike question for approval – What do you think? – and the bare melancholy of reality. This is the journey from ordinary to extraordinary, mundanity to magic, that makes Collins’ voice a powerhouse for effect and provocative insight. This is the punch of his poetry.

And so, I leave you with the charge to discover Collins for yourself. Brace yourself for the knockout.

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